Radio Fragments: Difference between revisions
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==== 2010 ==== | ==== 2010 ==== | ||
'''''Sound installation exploring radiophonic silences''.''' | |||
[[File:RF_02.jpg]] | [[File:RF_02.jpg]] | ||
Based upon an analysis-control mechanism, to which a real-time mainstream radio broadcast is fed, the installations acts as a reversed-noise-gate, singling out what is usually ignored or avoided in the radiophonic discourse (i.e. whispers, stumbles, pauses, dead spaces and errors) and muting all the other sounds, such as words or songs. These punctuating fragments become the raw materials from which Radio Fragments sonic concoction is created. | Based upon an analysis-control mechanism, to which a real-time mainstream radio broadcast is fed, the installations acts as a reversed-noise-gate, singling out what is usually ignored or avoided in the radiophonic discourse (i.e. whispers, stumbles, pauses, dead spaces and errors) and muting all the other sounds, such as words or songs. These punctuating fragments become the raw materials from which Radio Fragments sonic concoction is created. | ||
Revision as of 21:36, 3 December 2017
Radio Fragments
2010
Sound installation exploring radiophonic silences.
Based upon an analysis-control mechanism, to which a real-time mainstream radio broadcast is fed, the installations acts as a reversed-noise-gate, singling out what is usually ignored or avoided in the radiophonic discourse (i.e. whispers, stumbles, pauses, dead spaces and errors) and muting all the other sounds, such as words or songs. These punctuating fragments become the raw materials from which Radio Fragments sonic concoction is created.
Video by Emilia Kuryłowicz
2010
Works
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